Tagging features are a huge plus when you’ve got a lot of clips to work with on a project. Last, in editing mode, they’ve added features that allow you to better organize your media for easy drop-and-drag into either the timeline or source panel. This also allows you to narrow the search to only audio, video, or photos.Īlso, you can customize your timeline for easy navigation, and it comes with a quick-add button for inserting new tracks – up to 100. There is also a search function to find media easily.

In Storyboard mode, users can insert effects, audio clips, and transitions, all without going back into a timeline view. Within the interface, you can double your preview windows to see both the source video and the edited version, which can be a huge timesaver for switching between windows. But if you want to disable these options and go straight to Full Mode every time, there’s a checkbox to eliminate the selections.įrom this screen, you also select your aspect ratios – they cover everything from standard 16:9 and cinematic 21:9 to other social media and mobile-friendly ratios. When you first open the program, the interface gives you choices for editing modes, including Storyboard Mode, Full Mode, Slideshow creator, Auto Mode, and learning Center. For example, the Capture mode is now a menu option instead of on the main screen as it isn’t being used as much as some other features. The company is consistently updating the interface and rearranging things to make it easier to use. And while PowerDirector may not rank as high in simplicity as something like Adobe Premiere Elements or iMovie, it’s definitely neat and tidy. It’s difficult for any program to provide a comprehensive set of tools in a cohesive manner and without clutter. And PowerDirector 20 and 365 continue this tradition. One of the highlighted features from Cyberlink PowerDirector 18 Ultra and Cyberlink PowerDirector 19 Ultra was the software’s intuitive interface.

Powerdirector 19 ultimate